Showing posts with label Sandra Bullock. Show all posts
Showing posts with label Sandra Bullock. Show all posts

Saturday, March 13, 2010

Movie Review: The Blind Side

Directed by John Lee Hancock
Screenplay by Sandra Bullock, Tim McGraw, Kathy Bates, Jae Head
Duration 126 Minutes
Rated PG-13

My Wonderfully Majestic Opinion
One thing to keep in mind when it comes to film and the experience that comes along with it is the rhetoric behind the story.  How are the film makers using rhetoric to appeal to the senses?  What is the director and writer’s purpose in the literary and visual side of things?  What type of audience is the film attempting to reach out too with the performances, musical output, and artistic deliverance?  The answers to these kinds of questions are tunneling through my mind as I look back on the Blind Side and how it affected me personally.  I am then at a cinematic stand still where the emotional impact has very little effect on me because of the rhetorical approach the film takes, in which case I find myself at a stalemate of the films quality.

I entered into the theater late where, according to the ticket booth cashier, I was stuck with only a ten seat selection seeing as how this showing was almost sold out.  I walked into a dark auditorium with the light illuminating off of the white, middle class representatives of Ft. Collins, Colorado.  I was already in the mist of a crowd who were ready to see a story about a misfortuned black kid whose life was change by the good deeds of a white family.  The twists and turns their intertwined lives take give new meaning to the personalities and portray the rest of the world as selfish and a self-absorbed social class who feel they have a monopoly on life and how it should be run.

I do not mean to imply that the emotional aspects of the film are invalid or uninspiring; however the films rhetorical approaches are quite manipulative and predictable.  Here we have a middle class white family who has adopted a down on his luck black boy in hopes to change his life, where the rest of the world disapproves in the beginning but later love both the boy and the family.  (If you haven’t seen this plot device before, then you haven’t seen a lot of movies.)  This is the story of many in which directors have capitalized on and made millions because of it.  It is obvious that the film was molded to meet a certain standard that the majority of movie goers will love and accept the film as inspiring and wonderful, which causes them to believe this to be one of the year’s best films.  And as the film maintains a sense of craftsmanship and film making artistry, it remains in the typical film “feel-good” genre and produces a “hollywoodized” version of a very sad and emotional true story.

The acting was in between good and great, with Kathy Bates out shinning all of her acting peers.  Sandra Bullock delivers a performance very reminiscent of the typical southern house wife who is very caring and loving, but with a very boastful and a doesn’t-take-shit-from-anyone attitude.  (She reminds me of most of the women in my family actually.)  Tim McGraw, while only a minor character, gives an accurate depiction of a southern male who takes a very laid back approach to most things in life, in addition to the masterful performance provided by Kathy Bates whose acting talents were limited only by the lack of screen time in comparison to the mainline actors.  And while I do believe Sandra Bullock to have delivered a top notch performance, she does not touch Meryl Streep!

The film did seem to run rather long but did not feel contrived.  The films flow and editing qualities were quite good and the use of camera angles were “safely” well done.  The film follows the same film making techniques that go along with the rhetorical and manipulative story telling aspect.  Along with making the life of the middle class beautiful and gorgeously inspiring, (props given to the musical composer for aiding in the amplification of that emotional depiction) we also see the “dark” side of the city which, coincidentally, is filled with dark people.  A very prejudice approach, even if the film makers didn’t realize it.

My Awe-Struck Conclusion
While most of this review is hung on the negative side of things, I did enjoy certain aspects of the film.  The humor will make you laugh and roll your eyes in a positive way.  But the film’s approach at presenting one side of the story is annoyingly obvious and in the “Hollywood” tradition.  The story itself is a terrible tragedy met with an inspiring ending, but the film goes about telling it predictably and manipulatively.

Rating: 5 out of 10 stars

Sunday, March 7, 2010

2010 Oscar Winners

The Oscars are done and I'm in agreement with almost everything.  However, I can't speak for the Hurt Locker as I haven't seen it yet.  Netflix is queued up though!  I am happy to see Avatar only receive the awards that it deserved, and that James Cameron did not receive Best Director.  I was a little disappointed that Up In The Air did not receive an award, but it's not a big deal.  I do wonder how close Up! got in receiving the Best Picture award or if Nine was closer.  In any case, this was a good year!  Below are the results....


Best Visual Affects - Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones


Best Adapted Screenplay - Precious
Screenplay by Geoffrey Fletcher 


Best Original Screenplay Writing - The Hurt Locker
Written By Mark Boal


Best Sound Mixing - The Hurt Locker
Paul N.J. Ottosson


Best Live Action Short Film - The New Tenants
 Joachim Back and Tivi Magnusson


Best Animated Short Film - Logorama 
Nicolas Schmerkin


Best Original Song - Crazy Heart
The Weary Kind
Music and Lyric by Ryan Bingham and T Bone Burnett


Best Original Score - Up!
Michael Giacchino


Best Makeup - Star Trek
Barney Burman, Mindy Hall and Joel Harlow


Best Foreign Film - The Secret In Their Eyes
Directed by Juan José Campanella


Best Film Editing - The Hurt Locker
Bob Murawski and Chris Innis


Best Short Documentary - Music By Prudence
Roger Ross Williams and Elinor Burkett


Best Documentary Feature - The Cove
Louie Psihoyos and Fisher Stevens


Best Costume Design - The Young Victoria
Sandy Powell


Best Cinematography - Avatar
Mauro Fiore


Best Art Direction - Avatar
Rick Carter and Robert Stromberg (Art Direction); Kim Sinclair (Set Decoration)


Best Animated Feature - Up!
Pete Docter


Best Supporting Actress - Mo'Nique
Precious: Based on the Novel 'Push' by Sapphire


Best Supporting Actor - Christoph Waltz
Inglourious Basterds


Best Actor - Jeff Bridges
Crazy Heart


Best Actress - Sandra Bullock
The Blind Side


Best Director - Kathryn Bigelow
The Hurt Locker


Best Picture - The Hurt Locker
Directed by Kathryn Bigelow



Monday, January 18, 2010

2010 Golden Globes: The Awards


Here are the results from the Golden Globes which aired last night...

Best Supporting film/mini-series Actor for TV: John Lithgow - Dexter (Showtime)
Best Supporting film/mini-series Actress for TV: Chloe Sevigny - Big Love (HBO)
Best film/miniseries Actor for TV: Kevin Bacon - Taking Chance (HBO)
Best film/mini-series Actress For TV: Drew Barrymore - Grey Gardens (HBO)
Best TV film/mini-series: Grey Gardens (HBO)
Best Actor for a TV Series (comedy or musical): Alec Baldwin - 30 Rock (NBC)
Best Actress for a TV Series (comedy or musical): Toni Colette - United States of Tara (Showtime)
Best TV Series: Glee (Fox)
Best Actor for TV Series (drama): Michael C. Hall - Dexter
Best Actress for TV Series (drama): Julianna Margulies - The Good Wife (CBS)

Best TV Series (drama): Mad Men (ABC)
Best Original Song: The Weary Kind - Crazy Heart
Best Original Score: Michael Giacchino - Up!
Best Original Screenplay: Jason Reitman, Sheldon Turner - Up In The Air
Best Film Director: James Cameron - Avatar
Best Foreign Language Film: Das Weisse Band (German)
Best Animated Film: Up! (Pixar Animation Studios; Disney Motion Picture Studios)
Best Supporting Film Actor: Christopher Waltz - Inglorious Bastards
Best Supporting Film Actress: Mo'Nique - Precious
Best Comedy or Musical Film Actor: Robert Downey Jr. - Sherlock Holmes
Best Comedy or Musical Film Actress: Meryl Streep - Julia & Julia

Best Comedy or Musical Film: The Hangover (Warner Bros.)
Best Drama Film Actor: Jeff Bridges - Crazy Heart
Best Drama Film Actress: Sandra Bullock - The Blind Side
Best Drama Film: Avatar (Fox)


As I don't necessarily agree with a lot of the picks, I do always have to remind myself that this is the olden Globes and really doesn't reflect the truth.  But I am glad to see that the evil Twentieth Century Fox Network only received two awards, even if one of those awards was the BIG prize.

I am happy to see Mo'Nique take the Best Supporting Actress award as she undoubtedly deserved it, as well as Meryl Streep in her superb interpretation of Julia Styles.  However, I don't agree with the decision of giving Sandra Bullock an award when the other nominated actresses were superbly better with exception of Gabourey Sidibe.

All in all, the Golden Globes are more for the people who feel the Academy awards are wrong 90% of the time.  The Golden Globes are fun, but geez, they really aren't worth much except to hand out awards to those who probably wont win anything in the academy awards.  The Golden Globes only focus one the obvious like music, acting, and the actual film.  No awards go out to the film editors, art directors, and other talents that are hidden behind the screen.  The exceptions are the truly phenomenal ones like Mo'Nique, Up!, and other great films and performances.