Written By: Geoff Johns & Peter J. Tomasi
Artist: Ivan Reis, Ardian Syaf, Scott Clark, Joe Prado
Inker: Vicente Cifuentes, David Beaty
Colorist: Aspen MLT’s Peter Steigerwald, Beth Sotelo
Cover Artist: David Finch
Letterer: Rob Clark Jr.
Editor: Adam Schlagman, Eddie Berganza
My Awe-Inspiring Opinion
And here we are, eight issues into the finale of Brightest Day and things are beginning to make sense…while still being confusing as hell! This series has been plagued with confusion ever since issue #1, with nothing making any more sense than me playing a game of basketball completely in the nude outside of my neighbor’s house. Johns and Tomasi have finally figured out where to start giving this story its main pile of gumption, and what better way to do that than by killing off two of DC’s more popular characters?
Now for those of you who have actually read #18, you may or may not be shocked at the death of the Hawks. I mean, good grief, Comic companies kill off enough characters consistently enough that sometimes I wonder if I’ll ever be surprised at another heroes death ever again. But in any case, this turn of events is pretty epic, especially how Deadman is left in a dusty cloud of despair, allowing the ashes of the Hawks to trinkle between his fingers.
But of course this issue is a nightmare for the fan of the pure and unadulterated action story that feel a good storyline has no place amongst all the testosterone, punching, explosions, and what not right? It’s all about love and how the power of love will conquer all. Sound cheesy right? Well…it is. Up until that point where we think we can sit back, relax, and enjoy the fact that Hawkman and Hawkgirl can at long last be together with their curse finally lifted. Johns and Tomasi certainly pulled out the ultimate cliffhanger as the white ring upon Deadman’s hand interrupts the Hawks moment of embrace and tears them apart, once again causing us to question if the two lovers will ever be happy.
Enhancing the story is of course the ever crowded room of toggling artists, with Ivan Reis heading the team and Peter Steigerwald taking over the coloring duties. And one thing I am completely sure of, Blackest Night and Brightest Day has been a colorist’s dream boat. One thing I am ALSO certain of is that the Star Sapphire’s color scheme can do a real number on the eyeballs if not careful. And I completely echo Mr. Paul Mallory and his inability to look at pinks and purples without thinking of the toy isle bearing Barbie dolls.
Now this isn’t a criticism, I for one enjoy the clever way the colors were displayed on every page. But for those of you with weaker eyes…or at least the ones who feel their manhood has been put into question because you’re reading a comic book filled with pretty little colors and all about love…you might want to put on some sun shades.
My Majestically Climactic Conclusion
No doubt this is the best issue of Brightest Day thus far, but it hasn’t had too much competition to begin with. But offing the Hawks was definitely a story addition that is going to keep me interested until eight issues from now. (knock on wood.)
But then again, could this death be another rouse? Will the Hawks come back from the dead? Tune in next month when we will, more than likely, be confused and start wondering why the hell we are reading this series to begin with.
Rating: 7 out of 10 stars